Witching Chronicles: Exploring MoldEra’s Colonize

There’s something perversely satisfying about music that sounds like it’s decomposing as you listen – fibrous, overgrown, festering with weight and mood. Colonize, the sophomore full-length from Belgian post-industrial mystics MoldEra, doesn’t so much play as it expands, seeps, and then collapses into itself. It’s the sound of fertile decay, a sonic loam fed by […]

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Witching Chronicles: Exploring Witchcraft’s Idag

Twenty-five years in, Witchcraft no longer needs to prove anything to anyone. They never really did. But IDAG isn’t a victory lap – it’s a weathered, cracked-mirror self-portrait, a record that stares its own history down and dares it to blink. The album title means “today” in Swedish, but this is less about the fleeting […]

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Witching Chronicles: Exploring THRÆDS’ Impermanence

There’s something about this record that feels like it’s falling apart as it’s being built – like scaffolding collapsing in slow motion while someone’s still welding new beams onto it. That’s not a criticism. It’s the point. THRÆDS aren’t new, but Impermanence feels like a debut in the truest, ugliest, most ambitious sense – like […]

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Witching Chronicles: Exploring The THAMMUZ’ III

You ever wake up with your teeth humming from feedback? That’s where this album lives. III doesn’t give you songs, it gives you weight. Not the sort of weight that bands in leather jackets try to conjure in overpriced studios. I’m talking about the tectonic, low-slung, slow-crawling kind—born from the pit, not the playlist. THAMMUZ […]

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