Witching Chronicles: Exploring GOLD SPIRE’s Steps into Shadow

GOLD SPIRE are still an awkward fit for anybody who wants to keep their metal in clearly marked compartments. The saxophone and flute are too prominent to be treated as decoration, the doom/death metal is too important to dismiss as a bit of heaviness added to an experimental rock record, and the doom element gives […]

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Witching Chronicles: Exploring Love•Love•Love / Ølgod’s LØVEGOD

Splits can be a bit of a gamble. Sometimes you get two bands that sound so alike that the whole thing could pass for a regular album by one group. Other times, the difference between the two acts is so pronounced that you wonder what brought them together in the first place. Love•Love•Love and Ølgod […]

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Witching Chronicles: Exploring Irata’s Human

IRATA have been around since 2007, yet here we are with only their fourth full-length. Seven years have passed since Tower, and Human doesn’t sound like a band desperately trying to make up for lost time. Quite the opposite, actually. These eight songs take their time, sometimes to a fault, but there’s enough going on […]

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Witching Chronicles: Exploring WITCH RIPPER’s Through the Hourglass

There was always more to WITCH RIPPER than the sludge tag suggested. The Seattle quartet started out heavier and rougher, but HOMESTEAD already showed a band that wasn’t particularly interested in staying in one lane. THE FLIGHT AFTER THE FALL pushed the progressive side further. THROUGH THE HOURGLASS continues that move, although the biggest change […]

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Witching Chronicles: Exploring LORD ELEPHANT’s Ultra Soul

Lord Elephant come from Florence and have been making instrumental heavy psych since 2016. Their second full-length, Ultra Soul, is a seven-track slab of doom, blues, stoner rock and psychedelic wandering, released through Heavy Psych Sounds. The big difference from their debut Cosmic Awakening seems to be experience. The band have spent a lot of […]

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Album Premiere & Review: Mama Doom – Eminent Womb

The lack of guitar is probably the first thing people will mention about Mama Doom. Fair enough. But after a while it isn’t really the interesting part of Eminent Womb anymore. Chuckie Rumbles’ bass carries enough weight to keep the songs firmly in doom territory, while D. Lolli’s keyboards give the album its stranger side […]

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