Witching Chronicles: Exploring the MARGARITA WITCH CULT’s Strung Out In Hell

Margarita Witch Cult’s Strung Out In Hell doesn’t play nice. It drags you by the hair straight into the furnace and keeps you there until your skin blisters. This is Birmingham metal the way it’s meant to be: filthy, cracked, ringing with that factory clang that never leaves the bloodstream of this city. You can hear the ghosts of Sabbath thick in the smoke, and these guys don’t hide it – they lean hard into that worship, bowing at the altar with every riff and letting the feedback ring like church bells cracked in half.

The record doesn’t move in straight lines. One second it’s swamp-crawl doom, the next it’s all teeth and thrash, chasing you down an alley with a broken bottle. Riffs lurch and buckle, tempos flip without warning. It’s not tight, it’s not clean, and that’s exactly the point. There’s menace in the looseness, a sense that the whole thing could cave in at any moment. And when it does, they just laugh and light another fire.

It doesn’t sound like a second album. It sounds like a band possessed, wringing every last shriek and squeal out of their gear. There’s nothing ā€œcareer-buildingā€ here. This is noise for the sake of noise, riffs stacked on riffs until the walls shake. Some bands polish their rough edges by album two. Margarita Witch Cult sharpened theirs and aimed them straight at the jugular.

Listening to Strung Out In Hell feels like being trapped at the afterparty nobody survives. Volume maxed, lights flickering, somebody speaking in tongues in the corner. It’s ugly, it’s mean, and it’s alive.

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Released by Heavy Psych Sounds on July 18th

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