Well… Norwegian band White Tundra have only been around since 2023, but their second record already feels like they’re finding their own lane in the heavy underground. Stories from the Dark is six tracks of thick, fuzzy heavy rock that mixes stoner groove, doom weight and a distinct cold Nordic flavour. It’s not pure desert […]
Witching Chronicles: Exploring Sun Fall Down’s Burn
Very interesting band from Milan, Italy. Sun Fall Down called the album Burn and it’s their first full one. Nine tracks plus a short intro on the digital version. The whole thing is built around an astronaut floating in black space with a sun in his hands. The artwork and lyrics make it clear, it’s […]
Witching Chronicles: Exploring REPETITA IUVANT’s 3+2
3+2 is one of those albums where nothing really jumps at you at first. It just starts and keeps going, and you kind of realize later you’ve been listening for a while. REPETITA IUVANT plays instrumental post-rock, but not the dramatic kind with big build-ups. More like repeating guitar ideas that slowly change while they’re […]
Witching Chronicles: Exploring RedRedRed’s Deaf Gods
Deaf Gods doesn’t really start in a way you can point to. It’s just there. Guitars come in slightly off, not quite locking into something clear. Bass and drums hold a line underneath, though even that feels like it could move if it wanted to. It sits somewhere around noise rock, maybe heavier in places, […]
Witching Chronicles: Exploring FUZZING NATION’s Mothertruck
With Mothertruck, Fuzzing Nation stays close to a stoner rock kind of sound, but without drifting too far into long, psychedelic parts. It leans more on steady grooves and direct riffs than on atmosphere. The guitars carry most of it, thick and slightly rough, while the rhythm section keeps everything moving in a straight line. […]
Witching Chronicles: Exploring AZKEN AUZI’s Infernua
Azken Auzi hit harder this time. Right away, DEEP HELL crushes you. Thick guitars, bass and drums all locked together. You can feel the weight. Ludo’s voice crawls out of the mix, low, strained. Feels like the shadows of the debut are here, but twisted somehow. SK comes next. Weird, tense. Post-metal kind of feel. […]
Witching Chronicles: Exploring OWLS OVER OAKS’ O.O.O.
OWLS OVER OAKS’ debut, O.O.O., hits like a slow-motion avalanche. Three tracks. No guitars. Just dual bass, deliberate drumming, and a darkness that hangs in the air long after the music stops. This is not for casual listening. You can’t put this on in the background. You don’t. You sit. You endure. From the first […]
Witching Chronicles: Exploring TARLUNG’s Axis Mundi
I didn’t expect to get into a sludge album this year, but Axis Mundi really hit me. It’s slow, heavy, and feels like it’s pressing down on you. After five years, TARLUNG could have played it safe. Instead, the riffs are thick and jagged, the drums mostly slow but sometimes exploding out of nowhere. The […]
Witching Chronicles: Exploring SLEEPING GIANT’s The Beauty of Obliteration
Sleeping Giant finally put out a full album, and it doesn’t feel like something that needed a long setup or careful framing. Recorded in 2024 at StĂşdĂĂł ParadĂs, it sits firmly in stoner doom sludge way, slow and stubborn rather than dramatic. The band sounds like they already knew how they wanted to hit. Heavy, […]
Witching Chronicles: Exploring ABISSI’s Paramagia
Paramagia is the kind of record that will immediately piss off two types of listeners: people who want obvious hooks, and people who think “psychedelic heavy rock” should automatically be warm, cosmic, or fun. ABISSI aren’t interested in either camp. This album is stubborn, repetitive, and occasionally exhausting – and that’s exactly why it mostly […]