Witching Chronicles: Exploring the GODZILLA WAS TOO DRUNK TO DESTROY TOKYO’s Sideral Voivod

Some bands write songs. These maniacs in Liguria build collapsing wormholes and then jump inside. Sideral Voivod isn’t polished, it’s not safe, it’s a fuzz-drunk meteor crash rolling downhill until it smokes out the neighborhood. Heavy grooves that lurch and stagger, riffs like molten concrete, bass throb that sounds more animal than instrument. You can […]

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Witching Riffs: Behind the Sound of IM NEBEL

Formed in 2004 by Michael Lenz and Sergiy Ermolaev, and later joined by key members including drummer Nikoloz Rukhadze and vocalist/bassist Alexandre Gurchumelia, Im Nebel evolved through numerous line-up changes while refining their atmospheric sound inspired by Herman Hesse’s “Im Nebel.” After early live success and their debut album, the band faced setbacks with their […]

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Witching Chronicles: Exploring The Rainbow Bridge’s Soundtrack of a Silent Land

By now, Rainbow Bridge isn’t trying to prove anything. If you’ve been following their trail since the mid-2000s, you know exactly where their blood runs: through Hendrix, through the howl of blown-out ’60s stacks, through the heavy, trance-wrung repetition of modern stoner psych. What Soundtrack of a Silent Land offers isn’t a reinvention, and thank […]

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Witching Chronicles: Exploring MoldEra’s Colonize

There’s something perversely satisfying about music that sounds like it’s decomposing as you listen – fibrous, overgrown, festering with weight and mood. Colonize, the sophomore full-length from Belgian post-industrial mystics MoldEra, doesn’t so much play as it expands, seeps, and then collapses into itself. It’s the sound of fertile decay, a sonic loam fed by […]

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Witching Chronicles: Exploring THRÆDS’ Impermanence

There’s something about this record that feels like it’s falling apart as it’s being built – like scaffolding collapsing in slow motion while someone’s still welding new beams onto it. That’s not a criticism. It’s the point. THRÆDS aren’t new, but Impermanence feels like a debut in the truest, ugliest, most ambitious sense – like […]

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