After a hiatus spanning over a decade, Swedish stoner rock pioneers Dozer have resurfaced with a momentous comeback in the form of “Drifting in the Endless Void.” Hailing from the town of Borlänge and instrumental in the initial wave of European-style desert and stoner rock, Dozer’s impact on the genre cannot be overstated. With their signature fusion of proto-metal, riff-rock, and punk, Dozer’s latest offering is a testament to their enduring relevance and their pivotal role in shaping the genre they helped launch.
“Drifting in the Endless Void” resurrects Dozer’s fuzz-laden, amplifier-splitting sound with an invigorating fervor. From their early releases on Man’s Ruin label to their milestone third album, “Call it Conspiracy,” Dozer consistently demonstrated a mastery of high-energy anthems and lockdown grooves. This latest release stands as a triumphant continuation of their musical legacy.
The album kicks off with unyielding force, propelled by the rolling riffs and fried psychedelics of guitarist Tommi Holappa, alongside Fredrik Nordin’s blistering vocal power. The rhythm section, consisting of Johan Rockner on bass and Erik Bäckwall on drums, injects the songs with an infectious energy, while paying homage to the grooves of ’70s hard rock. The result is a captivating blend of raw power and captivating hooks that leave a lasting impact.
Standout tracks on “Drifting in the Endless Void” include the fiery opener “Mutation/Transformation” and the infectious “No Quarter Expected, No Quarter Given,” both exemplifying Dozer’s ability to craft memorable stoner rock anthems. The album’s centerpiece, “Dust for Blood,” is a sonic journey that showcases the band’s dynamic range, seamlessly transitioning between heavy, fuzz-laden riffs and moments of ethereal introspection.
Throughout the album, Dozer’s songwriting displays a sense of growth and maturity. The infusion of aggression and intensity showcase their evolution over the years, while maintaining their distinctive fuzz-groove attack. Collaborations with notable guest vocalists, including Troy Saunders of Mastodon and Neil Fallon of Clutch, further elevate the album, adding an extra layer of depth to the already rich sonic tapestry.
With “Drifting in the Endless Void,” Dozer has reestablished their position at the forefront of the stoner rock movement. Their return is not only a cause for celebration among long-time fans but also a reinvigoration of a scene and style that has only grown more vital over time. By signing with Blues Funeral Recordings, Dozer ensures that their long-awaited comeback will reach audiences worldwide, solidifying their place as one of the genre’s most influential and enduring acts.
In conclusion, “Drifting in the Endless Void” stands as a testament to Dozer’s unwavering passion and commitment to their craft. It is an album that seamlessly blends their trademark stoner rock sound with a newfound vitality, resulting in an immersive and captivating listening experience. Dozer’s return is nothing short of triumphant, and this album serves as a reminder of their enduring legacy in the world of stoner and desert rock.