Deaf Gods doesn’t really start in a way you can point to. It’s just there. Guitars come in slightly off, not quite locking into something clear. Bass and drums hold a line underneath, though even that feels like it could move if it wanted to. It sits somewhere around noise rock, maybe heavier in places, […]
Witching Chronicles: Exploring FUZZING NATION’s Mothertruck
With Mothertruck, Fuzzing Nation stays close to a stoner rock kind of sound, but without drifting too far into long, psychedelic parts. It leans more on steady grooves and direct riffs than on atmosphere. The guitars carry most of it, thick and slightly rough, while the rhythm section keeps everything moving in a straight line. […]
Witching Chronicles: Exploring Temptress’ hear
Temptress’ new album hear builds on the sound of their previous release see, but it feels tighter and more focused. From the first notes, the guitars set the mood with thick, fuzz-drenched tones, while bass and drums keep everything grounded. The band clearly spent time shaping the songs, layering the instruments in a way that […]
Witching Chronicles: Exploring AZKEN AUZI’s Infernua
Azken Auzi hit harder this time. Right away, DEEP HELL crushes you. Thick guitars, bass and drums all locked together. You can feel the weight. Ludo’s voice crawls out of the mix, low, strained. Feels like the shadows of the debut are here, but twisted somehow. SK comes next. Weird, tense. Post-metal kind of feel. […]
Witching Chronicles: Exploring Desert Collider’s Generation Ship: Endless Drift Through Infinity
I spent a couple of runs with Generation Ship: Endless Drift Through Infinity, and it’s weirdly compelling. The first track, Orphans of the Sky, drifts in slow, heavy, like the desert itself is moving under your feet. The fuzz hits hard, but it doesn’t march straight ahead. It meanders, hangs in the air, like the […]