Occult Vibe Haven (OVH)
Few instrumental bands carry a sense of quiet insistence like Basaltic Plateau. Their debut LP, Dead Dinosaurs Echoes, doesn’t announce itself loudly. Instead, it unfolds slowly, unevenly, with the weight of something long-shaped beneath the surface. The trio’s history is tangled. Marco and Maurizio had played together years ago in Le Mal Noir, a university […]
Turin isn’t the first city you associate with shadowy, slow-burning heavy rock, but Dune Aurora have been sharpening their sound there for a while. Ginny, Roberta, and Serena first surfaced with a few singles and the 2022 Lonely Town EP, and even then it was clear they weren’t following anyone’s playbook. Their music felt like […]
You can almost smell the dust in this one! Emulations sounds like the kind of record that shouldn’t even exist anymore – recorded loud enough to leave dents in the room, but played with the patience of people who’ve been through the long haul of noise and come back wanting only the essentials. No tricks, […]
I don’t know what’s in the water down there, but GOATFATHER sounds like they’ve been breathing exhaust fumes for breakfast again. Their third album, House of the Rising Smoke, comes out this October and, to be honest, it’s probably their most “them” record yet. If you’ve heard Monster Truck you’ll get the idea, but this […]
No intro, no warning, just fuzz and lift-off. Feels like HOWLING GIANT finally got the mics pointed in the right direction – real air moving, not that boxy home stuff. You can hear the sticks hit, the amps breathe, somebody probably yelling off-mic. Good sign! HOWLING GIANT are still a heavy, fuzzy, psych-tinged rock band, […]
There’s a point where riffs stop sounding like you’re trying and start sounding like you just are. Solar Sons hit that somewhere along the line. You can hear it all over Altitude, their sixth record, tracked fast in some cold room called Nameless City Sound. Eight days. Probably smelled of coffee and warm valve amps. […]
Some records hit you in the gut. Others in the teeth. This Side of the Dirt does both. First note drops and you feel it in your ribcage, like a van rolling over your spine. Dusted Angel didn’t come back to make a point – they came back because they couldn’t not. Fifteen years since […]
Danakil Heat don’t really sound like a new band anymore. There’s too much dirt in the gears for that. Doomsday Delight comes on quick – three tracks, no time to stretch – and still manages to feel bigger than it is. The fuzz hits first, that thick Helsinki tone, half-garage, half-machine. It doesn’t wait around […]
You can tell right away BREATH aren’t trying to make “songs”. Brahman sounds like they’re summoning something – slow, old, and not entirely friendly, but not evil either. It’s that big middle space between calm and collapse. Everything feels stretched out and deliberate, like they’re chasing the space inside the sound, not the sound itself. […]
It’s been four years since Two of Swords, and Bentrees finally drop Silver Veins. Six tracks, no filler, no showing off – just that thick, hypnotic low-end fuzz they’ve been hammering since the early days. Recorded at Sonusville Studio in Siliqua, it sounds like it – earthy, not overproduced, just real instruments in a room, […]